JURASSIC AURA
This white rhino had an exceptionally long horn. I’d never been so close to an animal that looks like the only survivor from the Jurassic period. She was less than two metres away, and the threat of danger was very real, particularly because her calf was at her side. Each time her curious baby ventured towards me, the mother rhino approached, swinging her horn threateningly. My nerves were on edge, but I fought to keep my cool because one false move could startle her. And that would have been fatal. The sense of vulnerability that I felt instilled in me a tremendous sense of humility.
TRUE WILDLIFE
The absolute freedom of the animal is key to me, so there is no animal in my series that is fed, lives in a private reserve or in any form of captivity. The special approach and perspective I use in most of the pictures forced me to get very close to the animals. However, most wild animals do not tolerate strangers in their comfort zone. This often entailed a great many risks but above all a great sense of humility because of man’s vulnerability. This series should accentuate the unique aspect of our wildlife and command the respect that these creatures deserve. We have to understand that we are only here for an ephemeral time and we can only use the planet like any other creature. Still, it is sad to see how we deal with this treasure put at our disposal for a while and then passed on to future generations.
TOM D. JONES
HASSELBLAD MASTER
Tom D. Jones is more than just a photographer; he’s an artist, a researcher, and above all, a storyteller. With every frame, he invites us to see the world through his eyes, to delve deeper, and to truly appreciate the beauty that surrounds us. Whether it’s the tranquil landscapes or the raw allure of the wild, Tom’s works are a celebration of life in all its myriad forms. And as he continues to explore and evolve, one can only wait with bated breath for the next chapter in his captivating journey.
